At present time I’ve seen most of the movies I hoped to see, minus many documentaries and foreign films, to which I’ve seen so few, such as The Interrupters or A Separation, to name a few. For now, here is my list, beginning with some honorable mentions:
Honorable mentions:
- Attack The Block - Witty and fun, the kind of movie you see and wish you had thought of it first.
- Beginners - A sweet, semi-autobiographical work from director Mike Mills with an excellent turn by Christopher Plummer
- Bridesmaids - A bit overlong but still a welcome surprise and huge win for everyone involved.
- Cedar Rapids - Maybe its because I know Iowa but Ed Helms and his cast (John C. Reilly, always good) nailed the small town feel in this comedy.
- Fright Night - Though it disappeared overnight, this remake of the 1985 film was one of the most fun movies of the year.
- The Help - Controversy be damned, this was a classically styled film made great by the ensembles performances.
- Melancholia - Everything I wanted Tree Of Life to be.
- Paul - What Super 8 was for others, this was for me, thanks to the knowing references of actors/writers Simon Pegg and Nick Frost.
- X-Men: First Class - A welcome reboot that genuinely surprised me and gave Michael Fassbender a great Hollywood role.
- Young Adult - I envied this film, wishing I had made it myself. Theron’s character is fantastic.
10. Mission Impossible - Ghost Protocol
I cannot believe that this one is one my list, for one thing. First, this was a series I thought very little of (MI1: enh. MI2: a film about douches made by douches for douches). Secondly, by their third movie (MI3: enjoyed) series are supposed to be bad, right? This fourth installment is the best thus far made so by the live-action debut by assured director Brad Bird. Incredible, and special mention to Simon Pegg for stealing most of his scenes.
9. The Artist
At it’s best moments it felt as though I was actually watching a movie from the past and that’s the highest compliment I could possibly extend this film. Leads Jean Dujardin and Bérénice Bejo had such photogenic, star-making performances that I want to see them working again and again. A bold experiment that paid off in spades.
8. The Descendants
Alexander Payne and George Clooney are reliable in their own right so it was a no-brainer that the two coming together would generate some good results. Unfortunately their statuses allowed The Descendants to seem “overrated” when they didn’t make a flat-out supernova of a film, but this is nonetheless a very satisfying, steady story that cannot be denied. I adored many moments of it.
7. Midnight In Paris
Woody Allen in top form, and not only one of his best in a long time but one of his best period. Owen Wilson seemed an odd fit but proves to be the best Woody-composite actor yet as the struggling author who finds himself transported back to a time he missed but idolized. I empathized with it thematically and I loved it cinematically. A genuine delight.
6. Win Win
There’s some filmmakers that on name alone I know I am likely to love their movie before I even enter the theatre. At the top of my list presently is Tom McCarthy, director of The Station Agent and The Visitor. Win Win may be my favorite of his projects so far, and sadly it appears to have gotten lost in the awards shuffle due to it’s earlier release. Giamatti is good as always and newcomer Alex Shaffer proves a naturalist. Fantastic.
5. Warrior
The most underrated film of the bunch, this was a drama that just happened to have ultimate fighting in it. Joel Edgarton, Tom Hardy, and Nick Nolte are all ferocious in their own individual ways. This one had me on my edge of my seat like no film in a while and gutted me emotionally along the way. You likely missed it when it was out, the recent video release is your first order of business to catch up.
4. Take Shelter
Michael Shannon has always been one of those actors I’ll follow into Jonestown and this may be his finest performance yet. A careful study about questioning whether a man is having premonitions of a big storm coming or is just going crazy, Take Shelter was taut with tension throughout. Further props go to Jessica Chastain (MVP this year for The Help and Tree Of Life, among others) as the frustrated but faithful wife.
3. Shame
I’ve said it before, I’m a sucker for any film in which I watch a person emotionally damaged fall apart before my eyes. This was that film for me this year. Michael Fassbender reunites with Steve McQueen, his wonderful director of excellent The Hunger, for this character-study of a man addicted to sex as a way to feel anything. It left me numb.
2. Crazy, Stupid, Love.
This was one I avoided seeing initially because of my trepidation toward the trailer. But then I saw it, and loved it, and it stayed with me, to a point that I was shocked to admit it would rate so high on my list. A romantic comedy for anyone, man or woman, who felt starved for a good one, this turned the genre on its ear while making nods toward the cliches it was adopting. A terrific cast all around with Steve Carrell never having been so better. I loved this movie.

1. Drive
A bona-fide classic with bled with an assured-vision at every moment. Nicolas Winding Refn won Best Director deservedly from Cannes for the slow-burn story of a stunt/getaway driver. What felt like a 70’s B-movie directed by 1980’s era Michael Mann, Drive blew-me away. Albert Brooks took a welcome change of pace from his comedies to play the villain surrounded by an excellent supporting cast including Bryan Cranston and Ron Perlman. And Ryan Gosling? With this, Crazy, Stupid, Love. and my last year’s #1 Blue Valentine I think I’m in the throes of a deep cinematic crush.